Video highlights from the haunted sukkah we created at Klez Kanada 2014 in Jenny Romaine’s Theater Workshop! The references come from “Mayse Tishovits” by IB Singer, “Monish” by Peretz, The Last Dance of Ghenghis Cohn by Romaine Gary, and ideas about indigeneity by Thompson Highway. Also, the ethnographic expeditions and questions of Sh. Ansky and the research of Prof. Agi Legutko. Jenny Romaine and friends will next present the Haunted Suke at YIVO’s Yiddish open mic, Oct 14 in NYC.
My article “Zamlers, Tricksters, and Queers: Re-Mixing Histories in Yiddishland and Faerieland” will be out in November 2014 in the forthcoming anthology Transformative Language Arts in Action, from Rowman & Littlefield!
Some nice press about the show…
* Tom Wilson Weinberg Brings His “Sunrise at Hyde Park,” Love Story of Eleanor Roosevelt & Lorena Hickok, to Cherry Grove
* Center to stage new Weinberg musical, Philadelphia Gay News
* 6 Gay Things to do in Philadelphia, G Philly
SUNRISE AT HYDE PARK
Musical based on ELEANOR & HICK, words & music Tom Wilson Weinberg, designed by Kevin Broad
EZRA BERKLEY NEPON as Lorena Hickok
HEIDI HAYES as Eleanor Roosevelt
ANDREW CROWLEY as Ray Corry
July 23rd, 24th, 25th at 8 PM
WILLIAM WAY COMMUNITY CENTER
1315 Spruce St., Philadelphia
Facebook Event Here
Saturday, August 2, 2014, 8:30 PM
Presented by ARTS PROJECT CHERRY GROVE
Cherry Grove, Fire Island
1932: Lorena Hickok, a hot-shot reporter for the Associated Press, is assigned to interview Eleanor Roosevelt, wife of New York State Governor and Presidential candidate Franklin D. Roosevelt. Hickok wants to be covering crime, corruption and war. The shy, reluctant Eleanor wants to be left alone. This awkward interview changes the lives of both women.
1962: Ray Corry, an ambitious young curator at the Roosevelt Museum in Hyde Park, pressures the ill and aged Hick to donate her 30 years of letters, the intimate correspondence of two remarkable women. Corry is shaken by the content he discovers – the passion and complexity of the Eleanor/Hick relationship and the impact the letters have on his own life.
Based on ELEANOR & HICK, words & music by Tom Wilson Weinberg, book by Peggy Stafford, original direction by Darren Katz.
- CIRCUS AMOK: “THE MOST UNTIRING AND GAYEST” by Ira Livingston
- JENNIFER MILLER’S ZENOBIA by Rachel Mattson
- FROM FLOURISH TO FLIP: DANCING WITH MILLER IN AMOK AND BEYOND by Jennifer Monson
- GOING FOR THE JUGGLER by John Bowe
- SIDESHOW USA: BEARDED LADY & REVOLUTIONARY by Rachel Adams
Heels on Wheels presents… Opentoe Peepshow #16, Sun May 4, 2014!
The Opentoe Peepshow is a monthly salon that reveals new work by queer artists the first Sunday of every month.
Sunday May 4, doors 7:00p, show 7:30p @ Branded Saloon, 603 Vanderbilt Avenue, Brooklyn, NY
Featuring: Dandy Vagabonds [Baltimore], Ezra Berkley Nepon & Tom Wilson Weinberg [Philly], Dakota Russell, Ky’iera Campbell, & a video by LGBTQ students from Tribeca Film Institute!
I’ll be singing (with Tom Wilson Weinberg) selections to live piano accompianment from Sunrise at Hyde Park, Tom’s musical about Eleanor Roosevelt and Lorena Hickok, Based on ELEANOR & HICK, words & music Tom Wilson Weinberg, book Peggy Stafford, original direction Darren Katz.
The Lafayette Practice is pleased to announce our new publication: Who Decides: How Participatory Grantmaking Benefits Donors, Communities and Movements.
TLP conducted research and interviews to analyze and compare the practices of eight premiere international Participatory Grantmaking Funds (PGF). TLP examined existing data regarding the qualitative aspects of the funds and their grantees, including functions, roles, and budgets.
Participatory Grantmaking emerges from a practice of grassroots activism, with assumed belief that decision-making participation of people impacted by the fund’s programs will guarantee that grants are allocated to those most deserving. Participatory Grantmaking models have proliferated over the past several decades. Yet there has been little research or documentation to analyze the assumptions and outcomes of the methodology.
The March-April 2014 issue of Grassroots Fundraising Journal includes my interview with Annie Danger, “Emily Post-Capitalism and the Revolutionary Etiquette of Crowdfunding.” I highly recommend subscribing to this journal – it is consistently super helpful and engaging with details, theory, and advice about raising money for social change. You can read the article here with an added document, a proposed ethics of crowdfunding, that she and I put together. As Annie explains: We are hoping it can start good conversation about how to engage critically with this now-permanent aspect of our lives under capitalism. Thoughts? Questions? Amendments? We don’t claim to have the answers, but sure do have a lot of ideas and questions.
In recent months I’ve been working with The Lafayette Practice, a consulting group initiated by my good friend Matty Hart. The Lafayette Practice is a consortium of international professionals spanning 50 years of deeply engaged experience solving the complex problems that foundations and nonprofit organizations encounter. Our first project together was creation of a report for the International Day Against Homophobia & Transphobia (IDAHO) organization, titled “Potential, Strategy, and Impact: A Report on IDAHO’s Opportunities at a Critical Juncture.” The goal of this project was to develop a broad fundraising strategy for IDAHO, with a recommended implementation plan, addressing structural changes necessary for fundraising success in the US and beyond. Looking at short-term and long-term fundraising opportunities, identify funding trends, and reviewing potential legal structures, The Lafayette Practice (TLP) offered a series of recommendations that will contribute to the organization’s financial and organizational sustainability.
Currently, we are nearing completion of an exciting project: research and interviews to analyze and compare the practices of eight premiere international Participatory Grantmaking Funds.
Participatory Grantmaking – also referred to as Peer Review Grantmaking, Community Funding, or Activist Funding – emerges from a practice of grassroots activism, with assumed belief that participation by people impacted by the fund’s programs will guarantee that grants are allocated to those most deserving. Participatory Grantmaking models have proliferated over the past several decades. Yet there has been little research or documentation to analyze the assumptions and outcomes of the methodology. Stay tuned for more info on this research!
I have been doing some transcription work over the past year for my pal Suzy Subways and the SLAM Herstory Project – it’s super inspiring about the power of oral history and people’s history. Can’t wait till the book version comes out – these interviews are so awesome.
I’m honored to introduce Jenny Romaine at this upcoming award event! I wrote about Jenny for my MA Thesis, “Unleashing Power in Yiddishland and Faerieland: Spectacular Theatrical Strategies for Resistance and Resilience,” which can be accessed here.
Dreaming In Yiddish An evening honoring Jenny Romaine and the legacy of Adrienne Cooper
On Saturday, December 21st at 8pm we will gather together in love to remember and celebrate the amazin
g legacy left to us by singer/songwriter and star of Yiddish music, Adrienne Cooper. The event will also celebrate the newly established Adrienne Cooper Fund Award and its first honoree, the brilliant dreamer and vision-maker, Jenny Romaine.
The illustrious line up for 2013 Dreaming in Yiddish: An Evening honoring Jenny Romaine and the legacy of Adrienne Cooper includes these luminaries of the world of Yiddish and other music: Lorin Sklamberg, Ethel Raim, Joanne Borts, Susan Leviton, Psoy Korolenko, Josh Dolgin, Benjy Fox-Rosen, Eleanore Reissa, Michael Alpert, Sarah Gordon, Frank London, Michael Winograd, Joel Rubin, Avi Fox-Rosen, Marilyn Lerner, Cookie Seigelstein, Alicia Svigals, Dan Blacksberg, Mark Rubin, Aaron Alexander, Patrick Farrell, Lauren Brody, and more…. Continue Reading Jenny Romaine receives Dreaming in Yiddish Award…